Incubus, an American rock band, released their fifth studio album, A Crow Left of the Murder, on February 3, 2004. The album marks the first appearance of bassist Ben Kenney after the departure of founding member Dirk Lance. The singles from the album include “Megalomaniac” and “Talk Shows on Mute”, with “Agoraphobia” being released as a promo single. The band continues to indulge in effects-happy instrumental gymnastics and tricky rhythms, but A Crow Left of the Murder is known for its effects-happy instrumental gymnastics and tricky rhythms.
The name “A Crow Left of the Murder” is inspired by the song “A Crow Left to Murder”, which describes a flock of crows as a “murder”. This concept has been used in tattoos to represent destiny and transformation. Incubus’s introspective, unthreatening demeanor and open-throated, blood-warm vocals helped them forge a fan base that cut across gender lines.
Incubus’s album cover art features a crow left of the murder, inspired by the song “A Crow Left to Murder”. The name was inspired by the song “A Crow Left to Murder” by Incubus. The album cover art is a popular choice for fans of Incubus, who have 14K subscribers in the Incubus community.
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a crow left of the murder (L) | A crow left of the murder (L) Photo by DanielVallejos on flickr. The safest and most inclusive global community of photography enthusiasts. | pinterest.com |
A crow left of the murder made at @selfcaretattooco tattoos … | My client brought in a picture of a wooden plaque that hangs ant their family’s cabin and asked my to keep the tattoo as close to the sign as possible. | instagram.com |
Incubus Tattoo | a crow left of the murder (L) · In remembrance of a good buddy who passed away, we’re all getting the crow from the Incubus Album Cover… Was his favorite band. | pinterest.com |
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What Does A Death Crow Tattoo Mean?
A black crow tattoo often embodies themes of personal transformation, rebirth, and acceptance of change. In various cultures, crows are intricately linked to death and the afterlife, representing a connection to the spiritual realm or serving as reminders of mortality. For instance, in Irish culture, encountering a dead crow is viewed as a good omen, signifying that the crow can no longer bring misfortune. Conversely, in England and Ireland, living crows are seen as harbingers of bad luck and death. Interestingly, seeing three crows may signal good health, while four can indicate abundance.
During the Middle Ages, witnessing a dead crow also symbolized good fortune, leading to thoughts of luck associated with such tattoos in the present. Crow tattoos that symbolize death and mourning may incorporate dark imagery such as skulls and skeletons, while those focused on the crow's ethereal connection to the soul may feature lighter, more spiritual designs. Observations of mourning behavior in crows—whereby they gather in large groups around deceased members—highlight their strong ties to death and emotional connections, often leading to designs that reflect this aspect of their nature.
Many ancient cultures perceived crows as omens of change and as bridges between the worlds of the living and the dead, attributing both life and death symbolism to these intriguing creatures. Thus, crow tattoos are rich in diverse interpretations across different cultures. For example, in Celtic mythology, the crow is associated with the goddess Morrigan, underscoring its representation of fate, transformation, and personal growth.
The quantity of crows depicted in a tattoo can also convey distinct meanings: one crow might signify a bad omen, two suggest good luck, three promote health, four increase wealth, and five carry a fatal implication. Overall, crow tattoos resonate with themes of transformation, mystery, and the cyclical nature of life, making them powerful symbols for individuals. They encapsulate the dualities of existence, where wisdom regarding life and death intertwines with the allure of the supernatural. As powerful symbols, crows convey complex meanings that vary among the cultures and individuals that revere them.
Why Does Johnny Depp Have A Crow Tattoo?
On September 9, 2012, Johnny Depp, along with Damien Echols and Bill Carter, got a Crow tattoo, referencing the 1994 film "The Crow," which tells the story of a man who is murdered and returns to life for vengeance. This tattoo is part of Johnny's extensive collection, which includes nearly 40 tattoos, each reflecting significant moments or aspects of his life.
One of Depp's earliest tattoos is the "Cherokee Tribe" on his right arm, honoring his great-grandmother's Cherokee heritage. He got this inked at the age of 17. In addition to the Crow tattoo, he has small, intricate designs such as a "Rook" tattoo on his wrist, inspired by a popular card game called "Rook," with a notable alteration where he changed a 2 into a 3 on the card held by the rook.
The Crow tattoo, located on his right hand, symbolizes protection, power, and spiritual guidance, adding a layer of mystery to his collection. While its precise meaning remains known only to Depp, it connects him to Echols and his grandfather, who also have similar tattoos. In an interview, Damien Echols spoke about the significance of the Crow tattoo, reiterating its link to the film's themes of resurrection and revenge.
Johnny's tattoo journey reflects various personal narratives, including both his cultural background and artistic inspirations. Other notable tattoos include his knuckle tattoos and meaningful symbols like "Salve Ogum," which sits on his left forearm under the Crow tattoo. Depp's ink work is emblematic of his multifaceted identity, showcasing a blend of art, heritage, and personal reflection as he expresses elements of his life journey through these permanent marks.
Why Are Crows Called A Murder?
The term "murder of crows" is intriguingly linked to the bird's historical association with death, stemming mainly from its scavenging tendencies, particularly visible on battlefields. This ominous phrase, which has made its way into common vernacular, suggests a darker significance than merely describing these large black birds. The origin of the term can be traced back to 15th-century England, where it evolved from the Old English word "murthor," signifying a group of crows.
The dark reputation of crows likely influenced the adoption of the term "murder." Their behavior during nesting seasons—marked by aggression and mobbing of other animals—may have further enhanced this perception. Anthopomorphized beliefs also play a role; folklore suggests that crows were seen as creatures that would pluck the eyes from their victims, leading people to view them as agents of death rather than mere scavengers.
While "flock" is the formal term for a collection of crows, "murder" is a more poetic label that reflects a melding of historical events, behavioral characteristics, and cultural perceptions developed over the centuries. The term has roots in medieval times when collective nouns gained popularity, often used to describe animals in ways that were evocative or metaphorical. In the case of crows, this term contrasts sharply with more neutral collective nouns typically used for other birds.
As part of the corvid family, crows exhibit fascinating collective behaviors and social interactions, challenging the stereotypes associated with their ominous label. Despite their sinister name, crows are known for their intelligence and complex social structures. The notion that these birds held trials to judge members of their flock adds another layer to the lore surrounding them.
Altogether, the term "murder of crows" encapsulates a rich tapestry of history, folklore, and observations that color our understanding of these birds. It reflects society's long-standing fascination with the dual nature of crows—as both revered symbols of prophecy and death, and remarkable, intelligent creatures navigating their environments. The sheer volume of cawing from a murder of crows is enough to rouse a neighborhood, serving as a reminder of their integral role in our cultural consciousness as much as their ecological one.
What Does A Dead Crow Symbolize?
Dead crows symbolize death and transformation, often serving as messengers heralding significant changes or new beginnings in one's life. In many cultures, they signify liberation from bondage, reinforcing the concept that transformation is linked to overcoming restrictions. In Celtic mythology, dead crows remind us of the inevitability of death, underlining life’s fleeting nature. Encountering a dead crow raises questions about its implications—could it be a sign of bad luck, a message from the spiritual realm, or simply nature's course?
The spiritual significance of dead crows varies widely, with interpretations ranging from warnings of impending misfortune to indicators of positive change. Seeing a dead crow could signal a crucial transition occurring or about to occur. In modern spiritual practices, they are often associated with life's impermanence, evoking thoughts about new beginnings. During meditation rituals, individuals may reflect upon the meaning of dead crows, focusing on personal transformations.
Dreaming of a dead crow also holds specific meanings based on the dream's context. For example, spotting one in a personal space may suggest internal shifts or changes. While some traditional views link crows to misfortune and witchcraft, others assert dead crows mark the end of negativity and herald a more favorable phase.
European folklore portrays crows as ominous, yet seeing a dead crow may also indicate that a prophecy remains unfulfilled, underscoring the complex symbolism behind these creatures. Amidst their association with death, they might actually signify messages of rebirth and transformation. A "murder" of crows, or a gathering, traditionally communicates impending change.
Thus, in contemplating the meaning of a dead crow, one can recognize that its presence often denotes a powerful transition, prompting reflection on aspects of life that may need to end or evolve. Ultimately, a dead crow encapsulates the duality of endings and new beginnings, signifying ongoing cycles of life and transformation.
Who Is Murder The Crow?
Murder the Crow is a three-piece band that originated from the four-piece doom metal band Traitor's Gate. This group, led by the late guitar maestro Steve McCormick, underwent several lineup changes before rebranding as Murder The Crow in 2016. Meanwhile, The Crow is a notable American superhero film from 1994, directed by Alex Proyas, based on a 1989 comic book series by James O'Barr. The film features Brandon Lee in his final role as Eric Draven, a musician brought back to life for revenge after being murdered alongside his fiancée.
Brandon Lee tragically passed away during filming when he was accidently shot with a prop gun, leading to a posthumous completion of his scenes through digital effects. Michael Massee, who passed away recently, is often wrongfully labeled as the man responsible for Lee's death, stemming from the film's notorious production history. The Crow follows a dark narrative where the main character returns from death as an undead avenger, catalyzing a cult following for both the film and its themes of vengeance and resurrection.
The Crow's plot revolves around the aftermath of a brutal murder, rooted in themes of loss and love, highlighting the emotional depth through Lee's portrayal of Draven. The lore has expanded beyond the first film, giving rise to multiple sequels and an extensive media franchise. This franchise has seen the release of five more films, each exploring different iterations of the crow's mythos, where characters seek vengeance posthumously.
Moreover, the concept of a "murder of crows" derives from the bird's association with death, linked to its scavenging nature on battlefields. This haunting imagery continues to resonate culturally, not only within the dark narrative of The Crow but also in musical contexts, as reflected by the aforementioned band.
Murder the Crow has garnered a following by embracing the themes representative of the story, often sharing music that captures the essence of what The Crow symbolizes. As Halloween approaches, they engage with fans by celebrating the spooky season, melding their music with gothic themes present within the cinematic universe established by The Crow. The intertwining of music and film reflects the lasting impact of both the band and the iconic film on popular culture.
What Does A Murder Of Crows Symbolize?
A murder of crows signifies various spiritual meanings, often interpreted as messages from the spiritual realm, indicating imminent personal transformation or growth. Crows, commonly associated with death due to their scavenging habits, are symbols of mystery, transformation, and spiritual communication. They evoke an ability to access universal wisdom and mysteries, marking significant changes or phases in one’s life. The term "murder" refers to a group of crows, underscoring their social nature; while they often operate collectively, each crow can signify individual messages.
Culturally, crows hold a rich tapestry of symbolism across different societies, embodying elements of the mystical and the supernatural. Their dark coloration and behavior inspire notions of death and the afterlife. However, amidst this association, they also convey hope and renewal, suggesting good luck, abundance, and the potential for positive changes. Observing a flock of crows might act as an omen or a sign from the universe about the need for collaboration and community support. The presence of crows is an invitation to reflect on one’s role within a collective.
The concept of a murder of crows extends beyond mere representation of death; it invokes themes of awareness and introspection. When crows gather, they offer protection and wisdom, revealing deeper insights regarding one’s psyche. Seen as deliberate messengers, crows bridge the gap between the physical and spiritual realms. Their gatherings encourage individuals to pay attention to transitions occurring in their lives.
Moreover, multiple crows might symbolize the need for self-examination, particularly regarding internal conflicts. Observing their interactions can lead to heightened awareness of surrounding energies and personal challenges. In essence, a murder of crows manifests as a reminder of the strength found in unity and the importance of community ties.
The historical origins of the term "murder" link to folklore, stemming from the birds’ association with battlefields and death. Yet, research shows that crows are highly social beings, displaying intelligence and care for their kin. Their intriguing behavior captivates those observing; for some, it’s not uncommon to witness numerous crows congregating, each carrying potent symbolic messages bound up in their social interactions.
In summary, seeing a murder of crows transcends mere observation; it invites deeper contemplation about life’s transitions, the quest for wisdom, and the necessity of communal support in navigating personal transformations. Through their symbolism, crows emphasize the duality of existence—bridging life and death while serving as potent messengers of the universe’s mysteries.
Why Crow Is Called As A Bad Omen?
Crows have historically been viewed as symbols of death and bad omens, often due to their scavenging habits and dark plumage. Rambo notes that they can signify change, with the idea that death is part of transformation—suggesting rebirth rather than solely a terrifying end. Cultural perceptions of crows vary widely; while many associate them with misfortune, others see them as bringers of luck and harbingers of messages from the spiritual realm.
In folklore, the presence of crows can evoke fear, particularly when seen alone. A single crow is typically seen as a negative omen, indicating bad news or even a death, while two crows may bring good luck, suggesting a more positive portent. Additionally, three crows are thought to signal health, whereas seeing four signifies wealth. The number of crows observed plays a crucial role in interpreting their meaning; for instance, five crows might evoke a different, often negative significance.
The loud cawing of crows, especially in unsettling contexts such as at night, is frequently interpreted as a bad omen. Various cultures adhere to the belief that crows possess the power to steal souls or foretell catastrophic events, including wars or famines. This unsettling association stems from their links to black magic and witchcraft, reinforcing their negative reputation in many narratives and traditions.
Despite their ominous associations, crows exhibit remarkable intelligence, which adds layers to their symbolism. Their cleverness can sometimes be viewed as cunning or deceit, amplifying the superstitions surrounding them. However, existing beliefs about crows being unequivocal bad omens lack definitive evidence and are largely based on ancient myths and superstitions rather than factual occurrences.
Crows have also become ubiquitous characters in stories and films, often portrayed as omens of death or misfortune due to their eerie calls and striking appearance. Despite their dark reputation, encountering a dead crow is sometimes regarded as lucky, adding to the contradictory nature of their symbolism.
In Hindu beliefs, crows are frequently linked to Yamraj, the god of death, which further emphasizes their association with mortality. Overall, while crows can evoke unease owing to their connections with death and misfortune, the interpretation of their presence and behavior varies widely across cultures, suggesting a more nuanced relationship with these birds than mere superstition would imply. The coexistence of fear and reverence in regards to crows speaks to their complex role in both nature and folklore, as they embody the duality of death and transformation.
Is Black Crow A Bad Omen?
Black crows are often perceived as harbingers of bad luck, but seeing two black crows might actually signify good fortune. While many view these birds as "omens of darkness," their spiritual connotations can be quite complex and not solely negative. In fact, they commonly symbolize rebirth, new beginnings, and transformation. A black crow can serve as a teacher, offering unsettling yet valuable lessons.
The spiritual significance of encountering a crow often varies; one common belief is that it denotes impending misfortune. However, a crow sighting doesn’t mean a person can predict the specific bad event to occur. Staying observant during such times can be crucial.
Though folklore depict crows as ominous figures linked to death and misfortune, their true essence encompasses change, intelligence, and a higher perspective. The appearance of a black crow might herald positive changes in various aspects of life, such as career, education, or finances. In this respect, while they may symbolize risk or danger, they can also signify the onset of beneficial transitions.
Crows inhabit a prominent place within the realm of spiritual practices and the subconscious mind. Their interpretations can span from bad omens to blessings, serving as vehicles for messages about spiritual laws or forthcoming changes, including death. Observing more crows than usual could hint at underlying messages that need attention.
Despite the common negative associations due to centuries of storytelling that veer toward the crows' dark plumage and unsettling calls, there’s no concrete evidence supporting curses tied to crows beyond anecdotal superstitions. Many cultivate a belief linking black crows to death, stemming from their scavenging behavior and dietary choices, although they are also often regarded as signs of freedom and impending change.
The discussion around crows oscillates between good and bad omens based on context and quantity. Their duality makes them fascinating; while they can represent death, danger, and misfortune, they also embody themes of evolution, self-reflection, loyalty, and intelligence. This complexity may contribute to their mixed reputation, evoking both awe and fear among humans. Thus, black crows' significance motivates deeper exploration into their essence as symbols of transformation, bridging the gap between negative perceptions and positive realities.
Why Is It Called A Murder Of Crows?
The term "murder of crows" has intriguing origins rooted in folklore and historical perceptions. It refers to a collective noun for crows, which can be traced back to 15th-century England. The word "murder" is derived from the Old English term "murthor," meaning a flock of crows, and it highlights the dark associations linked with these birds. Crows have long been viewed as scavengers, often seen feeding on corpses, particularly on battlefields, leading to their connection with death and the ominous nature of the term.
Collective nouns, known as terms of venery, became popular during medieval times. The origin of "murder" reflects not only the crows' scavenging behavior but also superstitions and folklore, such as the belief that crows could peck out the eyes of their "victims" to gain superior vision. This reinforced the idea of crows as sinister agents rather than mere scavengers. The practice of using whimsical terms for groups of animals was common, and while many of these terms have lost practical value today, they still pique interest.
Other collective nouns for animals also evoke curiosity, such as a "parliament of owls" or a "gaggle of geese," contributing to the richness of the English language. The term "venery," which refers to the pursuit of game, was adapted from Medieval Latin in the 14th century, adding to this lexicon of collective nouns.
Interestingly, while crows often gather in large numbers, not every small assembly of these birds is referred to as a "murder." The perception of crows has evolved over time, influenced by their behavior and cultural contexts, leading to this peculiar and evocative terminology. For example, when a "murder of crows" congregates, they often caw loudly, creating a ruckus that can disturb the surrounding area. This vocal behavior, alongside their scavenging tendencies, further cements their association with death.
In summary, the term "murder of crows" exemplifies how language evolves through historical narratives and societal attitudes toward animals, especially those perceived as harbingers of death. The ominous ring of the phrase persists today, reminding us of its fascinating and sometimes grim origins in folklore.
When Did Incubus Release A Crow Left Of The Murder?
A Crow Left of the Murder is the fifth studio album by the American rock band Incubus, released on February 3, 2004. This album notably marks the introduction of bassist Ben Kenney, who replaced founding member Dirk Lance. The singles from the album include "Megalomaniac" and "Talk Shows on Mute." A Crow Left of the Murder debuted to strong reception, showcasing a more aggressive sound compared to its predecessor, described as a "punch in the face" of furious, guitar-dominated rock.
With its release, the album reached number two on the album charts, affirming Incubus's place in the alternative rock scene. The album demonstrates improved songwriting and musical exploration, as the band continued to evolve. The absence of original bassist Alex Katunich is notable, as his departure led to a fresh lineup and a new musical direction.
In 2004, A Crow Left of the Murder was highly regarded, rated 768 in the best albums of that year by AllMusic. Fans and critics alike praised the album's energy and intensity, bringing a renewed sense of adrenaline to Incubus's sound. Various platforms allow listeners to explore the tracklist, credits, and statistics related to the album, reflecting its significant impact and legacy over the years.
Throughout the years, A Crow Left of the Murder remains a favorite among fans, marking a crucial point in Incubus's discography. Celebrating its anniversary, many recall the album's release as a defining moment. For collectors and enthusiasts, the album's CD release in 2004 is still sought after, available on sites like Discogs. Overall, A Crow Left of the Murder stands as a testament to Incubus's ability to continuously innovate while maintaining their signature sound, creating an enduring connection with their audience.
What Does The Black Crow Tattoo Mean?
In Native American cultures, crows are viewed as spirit guides believed to foresee the future and assist the deceased in their journey to the afterlife. Individuals might choose a crow tattoo for various reasons, including good luck, spiritual connection, or to honor their Native heritage. While crows are sometimes viewed as harbingers of bad news, crow tattoos generally carry positive connotations, symbolizing transformation, life changes, good luck, and protection. Additionally, these tattoos reflect intelligence and wisdom.
In mythology, the symbolism of crows varies widely; for instance, Norse legends feature Odin's ravens, Huginn and Muninn, embodying thought and memory, while Greek myths tell of Apollo’s crow, which turned black as punishment for bad tidings. Crow tattoos serve as a personal expression of one's spirituality, often placed on visible areas like arms, wrists, neck, or ankles.
Different styles of crow tattoos include the traditional black crow, which is commonly linked to themes of death and mystery—evoking feelings of sadness and despair. Celtic crow tattoos can represent enchanting narratives steeped in folklore. The growing popularity of black crow tattoos can be attributed to their striking imagery and rich symbolism, appealing to many who seek to honor their connection to magic and transformation.
Whether small or large, crow tattoos communicate deeper meanings to individuals, showcasing the bearer's beliefs about mystery, life changes, and spirituality. Despite their occasional association with death, crow tattoos predominantly convey messages of intelligence, spirituality, and positive transformation. The crow’s allure as an intelligent scavenger inspires enthusiasm around these tattoos, which resonate across different cultures.
Ultimately, a crow tattoo can represent a commitment to embracing change, recognition of one's own mortality, and a reminder of the support found in spiritual guides. Those choosing such tattoos often seek to encapsulate not just an appreciation for crows, but also a deeper understanding of their symbolic significance.
What Does The Murder Of Crows Tattoo Mean?
Omens of Death and Doom have been long associated with crows, particularly in Irish folklore, where a "murder of crows" signifies the presence of souls from Purgatory. Despite their eerie aura, crows symbolize intelligence, mystery, transformation, and spiritual guidance. When a mammal dies, the appearance of crows circling overhead signals their connection to death. Their behavior around a deceased crow shows profound social bonds among these birds.
Historically, crows have garnered a reputation as harbingers of ill fate. For instance, soldiers in battle believed that sighting a crow foretold their doom. However, the symbolism around crow tattoos is more positive, often representing significant life changes, good luck, and protection. A tattoo of three crows signifies health, four denote increased wealth, and five can indicate sickness, while six crows often represent death itself.
Crows, with their majestic black plumage and privileged beaks, have found themselves intertwined with themes of death and destruction in Western cultures. Despite this, their intricate traits, such as wisdom and adaptability, draw many to wear crow tattoos as personal identifiers. Each tattoo, whether depicting a single crow or a murder of them, conveys distinct meanings that can reflect individual journeys and personal connections.
While many cultures associate crows and their kin—like ravens—with bad omens, tattoos can also serve as memorials for deceased loved ones or personal tributes. One's affinity for crows might even stem from cultural beliefs or personal narratives. Consequently, a tattoo of a murder of crows can evoke various meanings ranging from death to resilience.
Ultimately, exploring the various interpretations of crow tattoos reveals how they transcend cultural boundaries. They can signify deeper meanings about transformation, adaptability, and personal stories, serving as not just symbols of doom but also reminders of life’s complexities and cycles.
📹 Gladiator Deleted Scene – I’m A Soldier – Russell Crowe Movie HD
When a Roman general is betrayed and his family murdered by an emperor’s corrupt son, he comes to Rome as a gladiator to …
My dad showed me this song. He said he first heard it during his freshman year of college. He says he was woken up by it early in the morning after his first college party, and it was playing extremely loud. He said that was the definitive moment he realized his freedom, from being a kid to being a man. Since he told me the story it’s become one of the most powerful songs I know.
Lyrics: I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does There’s a club if you’d like to go You could meet somebody who really loves you So you go and you stand on your own And you leave on your own And you go home and you cry And you want to die When you say it’s gonna happen now When exactly do you mean? See I’ve already waited too long And all my hope is gone You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does
fuck imagine hearing this song when it came out. it was probably the most original sounding, powerful shit in all of rock at the time. not to mention the lyrics crushed every other band out there. i would have lost it. this would have been my favorite band ever if i had discovered them when i was in middle or high school.
Didn’t have a privileged childhood, but one thing I was graced with during my childhood was that my parents had me grow up with good music. Born in 1991, and I wouldn’t change a damn thing, I got a taste of old music and current music of that day. Not the meaningless, repetitive “messages” they play on the radio to kids today. Keep the old music CURRENT!!! Let children EMBRACE the music of the past. Back when music actually made you FEEL something. Back when music MEANT something!!!!!
In my sophmore year of college. 19 years old. Just finished my third semester, and boy was it a hell of a semester. Me and a boy I was in love with were coming back from a film tour in Boston and playing a playlist of songs from the 80s & 90s. When we got to the parking lot of our college, we were mid make out and this song came on. Most heavenly make out sesh I’ve ever had In my life. Honestly can’t imagine a more perfect way to hear this song for the first time. We don’t hang out anymore but I will always cherish all the fun we had. Thank you for accompanying me on my impulsive adventures. You will always be a very special part of my college years.
I was 18 and remember back in 1988, this was used in a Pepe Jeans commercial in England…I used to cry every time it came on. I’m 50 now, and it still gets me. Johnny Marrs guitar cries. I met Johnny a few years back and he said the song almost didn’t happen because of how complicated it was to get that now famous sound out of the guitar…apparently it took weeks to get right, but he said now, a kid could create the sound with an iPhone. Long live the kings
The best thing about this song was dancing to it in night clubs. I’m not sure most younger people realize that almost all of these alternative songs were great dance songs. Turn down the lights, turn on the strobe if you have one, and just dance to one after another for an hour or more. Yes, by yourself…if someone else is around, they do their thing on the dance floor and you do yours.
I discovered this song in 2005, at 21, soon after moving to a big city (from a small town), trying to find myself, and newly into a so-called alternative relationship that was highest of highs and lowest of lows. This song always takes me back to that roller coaster of a time in my life…deeply unsettling yet addictingly thrilling…the masochistic side of me yearns to go back and experience it again…
I remember dancing to this song in an alternative goth club in the late 80s. I’d borrowed a friends handcuffs and I had handcuffed my hands behind my back as a lark. I’m pretty tall and there was this shorter guy with a massive mohawk dancing in front of me. Sometimes as we swayed around to this song, I’d get a faceful of stiff, hairsprayed mohawk in my face. I can remember it all crystal clear. Good times.
We loved the 80s music, we visited local new wave clubs and we enjoyed all that 80s music era had to offer, the best era in music. The Smiths was one of them and we loved them. A few years back, I am driving my daughter to the airport and she goes, do you mind if I play something that I really like, so I said of course. She played this song by the Smiths. I go, wow, the Smiths. She responded asking how do I know the Smiths, but my question was, how does she? Amazing and timeless music and she was completely unaware of me knowing about them and loved the music, because it is great music.
JOHNNY MARR’S MOST BRILLIANT RIFF EVER! MORRISSEY’S MOST ANGST RIDDEN LYRICS EVER UTTERED! ONE OF THE PERFECT SONGS OF ALL TIME! I’LL NEVER FORGET WHEN THEY OPENED THEIR 1987 NYC SHOW (PIER 42) WITH THIS SONG! I STILL GET GOOSEBUMPS THINKING ABOUT THAT MOMENT WHEN JOHNNY STARTED THE RIFF AND MORRISSET CAME SAUNTERING OUT ON STAGE.
my uncle always loved the smiths and I learned that he was the one always quizzing people about songs in the 80’s new wave genre but he loved this song especially. Hearing that guitar riff throughout his funeral sticks with me as a memory of him. I always play this song in his honor and how much he impacted everyone’s lives around him, rest in peace uncle joe…I’ll always remember and love you.
This was my official unrequited love song back in highschool that i would play over and over as a contemplated how unfair life was. then I shot up to 6ft5 and started getting muscle and things changed for me, well until i was divorced at 30, now this song rings just as true as it did for the boney 13 year old i used to be.
The song came out the fall of my 10th Grade year. There were some other kids at my school into the Euro romanticism/alternative rock scene. A year later a buddy gave me a tape with some British/German/alternative music groups on it. How Soon Is Now was one of the songs on the cassette. Some of the other songs were Fly On the Windscreen by this band called Depeche Mode. One other was a song titled Opportunities by the Pet Shop Boys. There was some other British club music, etc. I was hooked. A year later their full albums made it the US, and the rest is history.
my first time really listening to this and I’m already on my 5th repeat, looking at all the comments of people saying how much nostalgia this gives them of a time when they first heard this song and it’s making me appreciate this moment in time that im at right now as I write this just knowing that maybe in years to come other people will be discovering this song and I’ll be reminded of this very moment currently sitting on the roof of my house at 12am
The Smiths, The Cure, Siouxsie and the Banshees, etc. was the music I listened to as a young adult. Man, when this song came on, dozens of us would get up on the dance floor in our over sprayed, spiked hair, leather jackets and fishnets and have the best time EVER. Now at 50, this brings me back to a care free time when music was not mainstream, highly creative (not that there aren’t musicians worthy of this now, but not many), and as unique as the 870’s and early 90’s.
When I first heard this song (mid 80s) it entranced me. I taped it off the radio and would play it regularly when I was alone. This was a quite a big deal for me as I was a rocker…long hair and into Metallica, Megadeth, etc. Beck then I knew it was a special song but I couldn’t have told you why. Now I know…it captured the time perfectly. When I hear it, no matter where I am, I get transported to my teenage years during the 80s…high school, my friends, my girlfriends, how simple and innocent it all seemed back then. I will always love this song…every time I hear it it makes me feel good.
The radio stations in Houston used to play this as mixes at the clubs, and I’d sit in my room listening to it and dreaming of the day I was old enough to get in and party! Now, I’m 50, and wish I could go back to being that teenager hanging out in my room, and listening to 104 KRBE live at the “Ocean Club” or whatever club they were at along the Richmond strip!
Lyrics- I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does There’s a club if you’d like to go You could meet somebody who really loves you So you go and you stand on your own And you leave on your own And you go home and you cry And you want to die When you say it’s gonna happen now When exactly do you mean? See I’ve already waited too long And all my hope is gone You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does
I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does 🎸 I am the son And the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular You shut your mouth How can you say I go about things the wrong way? I am human and I need to be loved Just like everybody else does 🎸 There’s a club if you’d like to go You could meet somebody who really loves you So you go and you stand on your own And you leave on your own And you go home and you cry And you want to die
I am the son and the heir of a shyness that is criminally vulgar I am the son and heir of nothing in particular You shut your mouth how can you say I go about things the wrong way I am human and I need to be loved just like everybody else does I am the son and the heir of a shyness that is criminally vulgar I am the son and the heir of nothing in particular You shut your mouth how can you say I go about things the wrong way I am human and I need to be loved just like everybody else does There’s a club if you’d like to go you could meet somebody who really loves you so you go, and you stand on your own and you leave on your own and you go home, and you cry and you want to die When you say it’s gonna happen “now” well, when exactly do you mean? see I’ve already waited too long and all my hope is gone You shut your mouth how can you say I go about things the wrong way I am human and I need to be loved just like everybody else does
When this song came out. It was cool to be miserable. Look miserable. Turn misery into art. The Smiths perfected this. Today’s Positive thinking would have just annoyed indie people back then. And most people that we’re into this music wore black. Come to think of it. Black dominated the 1980’s. Especially in the indie scene.
This magical number is unique in it’s use of the “Doppler Effect” common to cars passing on a windswept highway while honking it’s horn. (while you are observing from 40 yards away). The often used Doppler Effect gives this number a particular “haunting effect” that is altogether pleasing to our esthetic sense. We can all appreciate this unique aspect to a singularly amazing pop record in our music history.
I am the son and the heir Of a shyness that is criminally vulgar I am the son and heir of nothing in particular Oh, shut your mouth, how can you say I go about things the wrong way I am human and I need to be loved Just like everybody else does I am the son and the heir Of a shyness that is criminally vulgar I am the son and heir of nothing in particular Oh, shut your mouth, how can you say I go about things the wrong way I am human and I need to be loved Just like everybody else does There’s a club if you’d like to go You could meet somebody who really loves you So you go and you stand on your own And you leave on your own And you go home and you cry and you want to die When you say it’s going to happen “now” Well, when exactly do you mean? See I’ve already waited too long And all my hope is gone You shut your mouth how can you say I go about things the wrong way I am human and I need to be loved Just like everybody else does
Eu sou o filho E o herdeiro De uma timidez que é criminosamente vulgar Sou o filho e herdeiro De nada em particular Você cale sua boca Como você pode dizer Que faço as coisas do modo errado? Eu sou humano e preciso ser amado Assim como todo mundo precisa Eu sou o filho E o herdeiro De uma timidez que é criminosamente vulgar Sou o filho e herdeiro oh, de nada em particular Você cale sua boca Como você pode dizer Que faço as coisas do modo errado? Eu sou humano e preciso ser amado Assim como todo mundo precisa Há um clube, se você quisesse ir Você poderia conhecer alguém que te ame de verdade Então você vai, e fica sozinho E você vai embora sozinho E vai para casa, e você chora E você quer morrer
i got turned on to this back in 1995 by a poet and artist i was romantically involved with who sadly took her own life early the following year. this article is one of the most powerful things i have ever seen here on youtube, and with the lyrics and music seems more relevant today than it did back then. Some may accuse Morrisey as being tragic, but then again so is life. thats what makex it so precious ❤
This song used to send the new strobe lights in my hometown main night club onto flash all the way through! The DJ on duty often did not know…. And half the folks who never danced to anything all night fled fron corners and the wings leaping in abandon chucking their arms around as if throwing imaginary daffodils at each other….as half the mainstream would walk off frustrated….! I never saw a song cause so much instant joy and disgust as a song on the dance floor in all my life as in Southern England in the 1980’s ! it was tribal worship of The Smiths people who had waited all night for a Smith song would dance to wanton abandon in a gangly writhing thrall weird worship of this band and the mainstream norms wandered off to the bar … …. It was GREAT!
I’m quite surprised how many people in the comment section misunderstood this scene. Perhaps this is why they didn’t include it. What Maximus meant is that Quintus shouldn’t ask for forgiveness because he (Quintus) can handle the shame of his actions, and if he couldn’t then he would simply act differently. Maximus essentially tells him to deal with the fact that what he’s doing is shameful in both their eyes and not try to hide behind excuses.
There’s something about the early 2000’s movies like this that just makes me wanna watch them again. Troy, Kingdom of Heaven, Gladiator (of course!)… they’re all written in a way that doesn’t disrespect viewer intelligence. And the production value, the costumes, the setting, the casting- all top notch! Can anyone recommend any movies made nowadays that are like this?
I think its so beautiful how Maximus told Quintus a thought from Marcus Aurelius, the last emperor they served under together, and the greatest of them all, which might have made Quintus reflect on his actions and remember what he learned from a true leader, and just because later he came to serve his mad son wouldn’t change a thing for a man with integrity
Notice Maximus did not look Quintus in the eye, a subtle reference to the fact that he did not see Quintus as an enemy after all that was said and done. Maximum mentioned something to this effect, of looking enemies in the eye at the beginning of the movie in his conversation with a senator. Whether this was intention on Russell Crowe’s part or not, I feel this was brilliant acting.
Qunitus: I am a soldier, I obey. Maximus: I am Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions, loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next.
Maximus and Quintus were co-comanders of the legion and fought together in Germnia for years. They were friends, and Quintus completely betrays Maximus on Comodus orders, and Now he realizes that Maximus will likely kill Comodus in the fight. Maximus essentially tells Quintus that no matter the outcome he is better man of the two. That Quntious wasn’t strong enough to do the right thing.
This is a powerful scene. They should have included it, moreso than any other deleted scene. I was actually bummed when in the theatrical cut, maximus never got a chance to confront Quintus for his role in the death of his wife and child. In the end, we are expected to completely forgive Quintus for his role in all of this with the “sheath your swords” moment, as if that takes away from the cruel injustice he perpetrated on his friend for “following orders” and suddenly see him as a sympathetic figure. I didn’t see him as sympathetic, nor did I want to.
I see the meaning of this as twofold. First, he is telling Quintus that people always have a choice. We must choose to do the right thing, regardless of the consequences. And we will be given the strength to bear whatever repercussions that decision brings upon us. Secondly, Maximus knows he’s about to die. And knowing Commodus’s cruelty, as well as Roman customs at the time, he knows it is likely to be a very bad death. You can see it on his face after Quintus leaves; he’s terrified–far more so than all the other times he’s been in the arena when death was equally certain. He’s telling Quintus–and assuring himself, I think–that he will find the strength to meet that end. His conscience is clear. He has made the choice to do what is right in every situation, even though it has cost him his home, his family, and his life. And now, he will face death steadily and will be given the strength he needs to bear it.
My interpretation: Maximus is fitted to bear the loss of his wife and son and the betrayal of his friend, his enslavement and subsequent conversion to gladiator, no matter how painful, his nature gives him the strength to bear these events. Quintus on the other hand has the inherent nature to be able to betray his friend and bears the guilt and knowing wrongfulness of his actions, he bears these by justifying his actions through offloading the burden onto soldiering and simply obeying orders. Maximus by quoting Marcus Aurelius with this line is reminding Quintus of this, of Quintus’s inferior nature, that Maximus is the better man. Great scene but a lot happens very quickly one must think on it afterwards to truly comprehend it. I wasn’t sure of my interpretation the first time I watched this.
“A king may move a man, a father may claim a son, but that man can also move himself, and only then does that man truly begin his own game. Remember that howsoever you are played or by whom, your soul is in your keeping alone, even though those who presume to play you be kings or men of power. When you stand before God, you cannot say, “But I was told by others to do thus,” or that virtue was not convenient at the time. This will not suffice. Remember that.”–King Baldwin IV from Kingdom Of Heaven
How crazy are the producers not to include this in the movie. Maximus tells Quintas that if he wasn’t able to watch him get tortured, he would of done something. However, the moment Quintas left, Maximus squints his eyes cause he’s emotional and forgives him. Powerful scene that shouldn’t of been cut. If there’s a remastered version, this must be included
I think marcus aurelius was speaking in general terms when he said that nothing happens to anyone that he is not fitted by nature to bear, meaning that all human kind is fitted with the capacity to bear all the things and burdens that could potentially happen to anyone…its just that some choose to bear it, and some crumble beneath the pressure…the quality of a man is in his continuous choices to be strong
Maximus’ actions and attitudes represent the basic teachings of stoic philosophy. A lot of his statements are actually quotes from Marcus Aurelius’ book, or variations thereof. This movie is historically inaccurate in a lot of ways, but to someone who studied classics and ancient history like myself, it certainly feelsand looks right in its depiction of roman society, its morals and values, as well as the social conflicts of this era.
Quintus is beginning to realise the true nature of Commodus and on seeing his friend and former commander chained and humiliated tries to justify his decision to have have Maximus arrested and executed and his family murdered. But quite rightly Maximus is having none of it and gives a quiet but devastating put down, and one used by Marcus Aurelius, the true and rightful emperor whom they had both served.
Meaning – “Whatever happens to us, it is nothing that we cannot bear or deal with. The worst calamity may befall us. But Nature has given us the strength to carry on without complaining or lamenting our fate. Nature has made us strong enough to withstand anything that the world throws at us, and keep going forward.”
Love this scene! It is so layered! Quintus feeling the guilt of his actions comes to Maximus pleading the Nuremberg defense. Being the dutiful soldier he feels he owes the general this explanation. “Nothing happens to anyone that he is not fitted by nature to bear” says Maximus. So much in thirteen words. Lets dive in. As has been mentioned in the comments, these words belong to Marcus Aurelius. However, in the historical setting of this film they take on more meaning. Only someone close to the emperor or a follower of his teachings would know them. With all the things going through Maximus’ mind, not least his own tragedies, he still recalls and speaks the words of his emperor, even at the last. It shows how much he respected and loved him. “You are the son I should of had”. In the context of the scene it is simply amazing. Initially it comes off as a jab at Quintus. Basically saying “Do what you are going to do. I don’t need your excuses”. Maximus is really telling Quintus that it is his nature to bear his shame and guilt. If he was unable to bear it he would not carry out orders that he finds morally objectionable. I also really like the juxtaposition of Maximus and Quintus in the scene. Nature has been as cruel as imaginable to Maximus. Yet here he stands, bearing the heaviest burdens, without the need to resort to excuses. He carried it this far and he means to carry it to the end. Quintus’ small burden of guilt and selfish offering at the eleventh hour is pathetic in comparison and he knows it.
I’m really surprised by a lot of the comments to this article. I never saw this scene as Maximus shooting down Quintus, or calling him a traitor – quite the opposite. They are both soldiers and their job is to follow orders. Maximus is obeying Marcus, Quintus is obeying Commidus. In this scene Quintus probably feels horrible at doing his duty while simultaneously torturing one of his closest friends, and so says “I am a soldier, I obey”. Maximus would relate to this, and through his quoting of Marcus, is simply saying that you can handle it. Do your duty, even if it’s horrible. I think it’s a really cool scene, where they’re just reconciling their different positions, but also acknowledging their similar paths in life. It comes full circle when Quintus tells the Praetorians to sheath their swords. Strength and Honour. Commidus had none of that and I think at that point Quintus’ loyalty finally won out over his duty as a soldier.
I personally think that it’s an easy copout, if he knew the emperor was dirty and did wrong maybe he should’ve stood up to him. But a great sacrifice to his career and his life probably, the original whistleblowers. Maximus told him that he had to deal with his own decisions in life, his moral conundrum
I see why this was deleted. While it does help explain Quintus’s actions later, the way it is executed here makes it a throw away scene. Quintus doesn’t play much of a role after Germania until he disobeys Commodus. To include this scene would require more set up that either didn’t exist in the script or would have made the movie even longer than it already was.
First off, this entire exchange is based on what happened in Germania at the beginning of the film. Maximus is a man of honour and Quintus was his subordinate general. Remember, they fought many battles together and it can be said that they were good friends. When Commodus ordered for Maximus’ execution in Germania, Quintus was right there and didn’t hesitate at all to betray Maximus, they had just won a war together too. When Maxmius asks Quintus to help his family, he says they will meet him in the afterlife. Now think about this, a good friend, generals together in many battles, but didn’t feel at all compelled to help Maximus’ family. Quintus had the power to help Maximus. We know the army in Germania would have backed Maximus. Quintus could have saved his family. Even if it meant risking his own life, he could have at THE VERY LEAST done something to save his family. Maximus 100% felt HEAVILY SLIGHTED. I would even go as far to say he knows Quintus could have saved his family. Maximus would have done the same for him. So when Quintus says I am a soldier, I obey, he is straight up telling Maximus, there was nothing I could do. But they BOTH know there WAS something he could do. He was just to AFRAID to bear the consequences of helping Maximus. In my opinion, the way I see it, Maximus is basically saying how Quintus is a coward, not necessarily for betraying him but doing absolutely NOTHING, and how it has cost him his family and now his life. He implies that Quintus was fitted by nature to bear the consequences of helping him.
Hope you guys don’t mind, hearing that quote from Marcus reminded me about a verse from the Quran 2:286 the relevant portion goes as follow ” Allah does not charge a soul except with that within its capacity. It will have (the consequence of) what (good) it has gained, and it will bear (the consequence of) what (evil) it has earned “. As a Muslim this scene gave me mega goosebumps! We all have the potential to overcome our problems, its up too us to act. The tools are there!
nothing ever happens to anyone that he is not fitted by his nature to bear interesting maximus bears his destiny of death to restore good government (he dies happy) commodus bears his destiny of being a tyrannt so that he can be contrasted with maximus (he plays the tyrant well) quintus is forced to bear the destiny of constantly being a side character because he is a coward (he is happy being a coward and a nobody, and survives)
I was really surprised to watch this scene, this changes everything. When the first time I watched Gladiator I always thought Quintus was an opportunist by not giving the sword to Lucius during the fight, he knew Lucius is losing and didn’t take a chance to take side with Lucius. With this scene, I know now that he is simply a very good soldier. He did what commanded to him by the Caesar and nothing else could stop him, not even his friendship with Maximus.
The full quote of Marcus Aurelius’s Meditations will clear up what this means for many “Everything that happens either happens in such a way as you are formed by nature to bare it, or as you are not formed by nature to bare it. If, then, if happens to you in such a way as you are formed by nature to bear it, do not complain, but hear it accordingly. But if it happens in such a way that you are not formed by nature to bear it, do not complain, for it will perish after it has consumed you.”
This scene is vital, as it provides a glimpse of both maximus and quintus’ minds as well as the latter’s moral dilemma and understanding of the sovereign (as in his loyalty to the emperor as an institution, not his person). But I see why Ridley Scott deleted the part, as Russell Crowe kinda garbled his lines, undermining the potential impact it would have had if he were more articulate
Quintus walking up to Maximus in kind of a rush with the sole purpose of telling him that soldier quote makes the whole scene feel like shoehorned exposition. He could have given him the news that he’d be fighting Commodus in the arena (instead of being sent there to be ripped apart by tigers or something) and as Maximus wouldn’t even look him in the eye, he could have sighed, paused to think and then said his soldier quote.
Nice scene. I too think it should have been left in. It’s only 30 sec long. I guess producers REALLY strive to shave movies down to less than X minutes long, much to the chagrin of directors. I think in the DVD Ridley Scott said that he was told to cut the scene of Commodus practicing sword fighting with the guards in the beginning of the movie. He said absolutely no, and that he would quit if he was forced to. On a side note, I think those chains look a tad loose. Looks like he could easily slip his hand out.
Hey!!! This should not have been deleted!!! Personally, i always always wondered that why quintus did not give the emperor a sword as quintus must obey the emperor?? After i wached this scene that maximus said quintus the quote “Nothting happens…”, i realized that maximus implies “whatever situation comes out, you can do handle it well. i believe you do well.”
لَا يُكَلِّفُ ٱللَّهُ نَفْسًا إِلَّا وُسْعَهَا ۚ لَهَا مَا كَسَبَتْ وَعَلَيْهَا مَا ٱكْتَسَبَتْ ۗ رَبَّنَا لَا تُؤَاخِذْنَآ إِن نَّسِينَآ أَوْ أَخْطَأْنَا ۚ رَبَّنَا وَلَا تَحْمِلْ عَلَيْنَآ إِصْرًۭا كَمَا حَمَلْتَهُۥ عَلَى ٱلَّذِينَ مِن قَبْلِنَا ۚ رَبَّنَا وَلَا تُحَمِّلْنَا مَا لَا طَاقَةَ لَنَا بِهِۦ ۖ وَٱعْفُ عَنَّا وَٱغْفِرْ لَنَا وَٱرْحَمْنَآ ۚ أَنتَ مَوْلَىٰنَا فَٱنصُرْنَا عَلَى ٱلْقَوْمِ ٱلْكَـٰفِرِينَ Sure 2 (The Cow), Verse 286: “Allah does not require of any soul more than what it can afford. All good will be for its own benefit, and all evil will be to its own loss. The believers pray, “Our Lord! Do not punish us if we forget or make a mistake. Our Lord! Do not place a burden on us like the one you placed on those before us. Our Lord! Do not burden us with what we cannot bear. Pardon us, forgive us, and have mercy on us. You are our only Guardian. So grant us victory over the disbelieving people.” (Translation by Dr. Mustafa Khattab, the Clear Quran)
Cliff note version of scene. Quintis I am A soldier, I follow orders. Maximus You are suppose to be a soldier of rome, and chose to be a soldier of commudus. A true soldier of rome would die for rome. This explains why he disobeyed Commudus in the end. Also explains why the gladiator owner I can not recall his name the one that said Marcus Aurelius freed him, why he let himself be kill with honor than run and hide.
Why would there be any question about why Quintus did what he did? He was a soldier. And soldier of that time would either follow orders or pay the price. The emperor had died and barring that emperor declaring someone else to be his successor his position and power would rightfully pass to his eldest son. Quintus had two choices: Either betray Maximus or likely die along side of him. Moreover, Commodus did not just order Maximus’ death. He killed his family, worker, servants and left his property and lands in ruin. So if Quintus had anyone and anything he cared for, betraying Commodus would have doomed them too.
I disagree with most commentors. I think that This wasn’t him admonishing Quintus as much as giving him the strength to do what is right later. If Commodus had lived long enough for Maximus’s wound to kill him, Commodus would have had Quintus executed. This was Maximus saying, “You have all you need to do what you think is right: to disobey, to bear the punishment if I fail to kill him. This wasn’t forgiveness, nor was it criticism. This was inspiration.
I played a kingdom management game a few years ago pretty regularly, we’ll call my kingdom, kingdom A. There were three OTHER kingdoms we’ll talk about, kingdom B, kingdom C and kingdom D. Anyway, kingdom C got completely wiped out because kingdom B and D attacked him in the dead of knight, I got an alert on my phone that this was going down and so kingdom A, mine, stood down, and figured I’d stay out of it because I could defend myself from both of them if they wasted millions of Thier own men trying to take kingdom C if I just stayed out of it and beefed up my defences. Anyway, kingdom D and B defeated kingdom C by the skin of Thier teeth and sent me a message that they would give me a third of Thier profits (kingdom C was wealthy, just not powerful in terms of soldiers) if I lent both of them troops, and food, to help them recover from the war. I told them I would consider it, as long as they signed a treaty to never invade my kingdom. Suddenly a LARGE barbarian hoard of over 40 million men started attacking both of Thier kingdoms, I guess he was kingdom C’s friend back in the day and he heard what had happened, so kingdom D abandoned Thier post and sent every available man, woman, and child all into kingdom B, to band together so that at least both of them wouldn’t be wiped out. I sent 20,000,000 of my own personal soldiers, my best men to the nearby desert, directly getting in the way of the 40 million barbarian hoard that was coming, and kingdom D and B. The barbarians halted Thier advance when they saw my twenty million men fully armed, (better equipped, fully ready for battle) and they sent me a message, “am I to assume then, that you are going to defend this rabble of pathetic backstabbers, and I replied, “am I to assume then, that you are foolish enough to take on twenty million of my best knights that have been training for the past 3 years for this very moment?
Quintus: “I am a soldier…I obey.” Maximus (with a look of understanding and a nod of respect and no ill will): “I am a gladiator…I obey.” I know I’m “rewriting” it a bit. But I think this scene isn’t truthful. Which is why Scott cut it. It’s more truthful for Maximus to understand and hold no ill will toward Quintus. Maximus knows what it is to be a soldier, and to obey. And he knows what it is to be a Gladiator and obey. In the context of this story, Maximus learns that leadership is not just commanding men in battle, it’s having empathy for them because every man (and vvoman) has a breaking point, or a weak point where they have to betray their own self/friends to follow a code. Maximus betrayed his own family by not bending the knee to Commodus. Commodus would have just the same, killed Quintus’ family…HIM as well. Maximus knows that Quintus is a “Soldier of Rome” just like he was (and still is.) And soldiers follow orders that are not always in their moral interests, especially if their leader is IMMORAL like Commodus. THAT is why Maximus would have forgiven Quintus without a second thought. Maximus forgave him and still regards Quintus as a brother, and a good man. That would ALSO be why Quintus doesn’t help Commodus when he asked the Praetorian for a sword. “Sheath your swords!” That is just as, if not more powerful, IMO, than trying to “guilt” a guy like Quintus, who’s not weak enough for that “shaming” bullchit to work on him. You gotta inspire a guy like Quintus.
I’m a Soldier… (Yes, that is your nature and you can bear it! Otherwise you would have died or you would give up earlier or would have never conceived the idea of being one) I obey… (Yes, that is your nature and you can bear it! Otherwise you would never received any order in a well manner or you would be in charge, giving orders) I am here trying to make some excuses because I am a coward (Yes, that is your nature and you can bear it! Otherwise you would never let orders or your job make you do something that is not what you believe is fair and right. You are a coward and you are ashamed of being one… but it is your nature… Otherwise you would be brave and would have done what is right… but that… that is not your nature!)
Funny to read all the wrong interpretations here. Maximus’s utterance is ambiguous, which is why the scene was left out for the simpletons who would insist on interpreting it a single way. Here are the the two ways it could be seen, and there may be more. 1) Whatever happens to you, the way you act will be the way you are spiritually predisposed to act. In this light, Quintus acts a coward because he is inherently a moral coward, despite whatever battlefield heroics he may have shared with Maximus. 2) Whatever challenge you face, you will find the courage to face because you are “fitted to bear” it. In this light, it’s a non-judgemental encouragement by Maximus for his former brother in arms to find the courage to act according to the moral precepts he follows. For the average American movie goer, this ambiguity is maddening, and that’s why the director wisely cut this scene.
Given that Marcus Aurelius’ Meditations wasn’t generally known until years after his death, unless he spoke it directly to Maximus it is extremely unlikely he would have been able to quote it to Quintus. Secondly, the actor playing Quintus couldn’t lose his stupid American accent anywhere for any scene he was in. No wonder this scene was cut. It wasn’t needed and just grates.
“Nada sucede a quien no está predispuesto por naturaleza para soportar” Que enunciado más rebuscado!! No obstante creo que los comentarios de los guiris/yankees están bastante bien encaminados. Si quinto está buscando excusas es porque siente que ha hecho algo mal y quiere deshacerse de la culpa. Pero imagino que se puede decir al revés también; un ser que a posteriori no puede sentir culpa no va a ver que está malogrando en sus acciones. Por Lo Tanto lo que quiere decir Russel es que si quinto es capaz de ver la injusticia que está cometiendo que apechugue también con la culpa sin excusas.
I interpreted it the same way i have always believed: “Allah does not lay a responsibility on anyone beyond his capacity. In his favour shall be whatever good each one does, and against him whatever evil he does. (Believers! Pray thus to your Lord): “Our Lord! Take us not to task if we forget or commit mistakes. Our Lord! Lay not on us a burden such as You laid on those gone before us. Our Lord! Lay not on us burdens which we do not have the power to bear. And overlook our faults, and forgive us, and have mercy upon us. You are our Guardian; so grant us victory against the unbelieving folk.” Quran chapter 2 verse 286
Though it sort of makes sense for the place in the movie, overall it’s a bullshit point though, that nothing happens to anyone that they are “not fitted by nature to bear” … countless people are crushed every single day by things they clearly could not bear … it really is a callous and ignorant thing to say …