Lynyrd Skynyrd fans have been showcasing their love and loyalty to the band’s music through various tattoo designs. Pinterest offers a variety of fan tattoo ideas, including Malin’s “Freebird” tattoo. Some fans are looking for unique designs inspired by their favorite songs and lyrics, such as “Free Bird” and “Simple Man”.
Tattoos and websites like SkynyrdTat provide inspiration for creating personalized tattoos that capture the essence of Lynyrd Skynyrd. Rickey Medlock, Blackfoot founder and current lead guitarist, shares his Native American-themed ink on Tattoo Talk. Fans often get Skynyrd tattoos as a way to show their love and loyalty to the band’s logo or iconic imagery.
Some fans share photos of their Lynyrd Skynyrd tattoos for inspiration. One fan shared a photo of their father’s opening lyrics to “Freebird” tattooed on his rib cage from the bottom of his heart to his hip bone for five years. The tattoo has more meaning than anyone will ever know, and some fans have even paid tribute to their favorite musician with a permanent tattoo of a man’s name.
In conclusion, Lynyrd Skynyrd fans are embracing their music and personal expression through unique tattoo designs. They are also sharing photos of their own tattoos and expressing gratitude for the legacy of the band.
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Lynyrd Skynyrd Tattoo | Discover Pinterest’s best ideas and inspiration for Lynyrd skynyrd tattoo. Get inspired and try out new things. | pinterest.com |
Top 17 Lynyrd Skynyrd Tattoos – NSF News and Magazine | Top 17 Lynyrd Skynyrd Tattoos – NSF News and Magazine. Lynyrd Skynyrd Tattoos. Read it. Save. Read it. Save. More to explore. | pinterest.com |
Lynyrd Skynyrd Tattoos | Explore creative Lynyrd Skynyrd tattoo ideas for die-hard fans. Get inspired by unique designs and meaningful symbols from the legendary … | tiktok.com |
📹 CAN’T YOU SEE
CAN’T YOU SEE MARSHALL TUCKER BAND SEPT 2. 2018 TIAA FIELD JACKSONVILLE FL.
📹 Can’t you hear me knocking- rolling stones
Song- cant you hear me knocking by the rolling stones!!
Fun Fact : the jam that begins at 2:43 was improvised and recorded in one take. The band had thought the recording was shut off after the last vocals, but Charlie, Keith, and saxophonist Bobby Keys kept going and were so happy it was recorded that they decided to keep it in the original song. The Rolling Stones are truly great musicians.
I remember, roughly, a Keith Richards quote lamenting bands that were “rock” but without the “roll.” A lot of ingredients make the Stones “rolling” and a large part of that is the rhythm of the greatest backbeat in the biz, Charlie Watts. I’ll never forget my boss letting me leave a work thing late night a few summers ago so I could try to catch the Stones in Houston. I got in and for the “cheap” price of $200 (!), I’m just off to the side of the stage and Charlie, whose drums smacked around in my brain since I was a baby (some might say 33 is still a baby!), was casually swinging at his throne like it was the 1970s. The elder statesmen was still holding it down in his later years. It was the best night of my life. Godspeed.
LYRICS: Yeah, you got satin shoes Yeah, you got plastic boots Y’all got cocaine eyes Yeah, you got speed-freak jive now Can’t you hear me knockin’ on your window? Can’t you hear me knockin’ on your door? Can’t you hear me knockin’ down your dirty street, yeah? Help me baby, ain’t no stranger Help me baby, ain’t no stranger Help me baby, ain’t no stranger Can’t you hear me knockin’, ah, are you safe asleep? Can’t you hear me knockin’, yeah, down the gas light street, now Can’t you hear me knockin’, yeah, throw me down the keys Alright now Hear me ringing big bell tolls Hear me singing soft and low I’ve been begging on my knees I’ve been kickin’, help me please Hear me prowlin’ I’m gonna take you down Hear me growlin’ Yeah, I’ve got flatted feet now, now, now, now Hear me howlin’ And all, all around your street now Hear me knockin’ And all, all around your town
The song was captured in one take. Originally the song was 2:34 but they happened to do an improvisational jam and to their surprise the tape was still recording and captured this magic. The long guitar solo after the 4:40 mark is all Mick Taylor. Other musicians other than the Stones are Rocky Dijon on congas, Bobby Keys on saxophone and the fifth Beatle… the great Billy Preston on keyboards!!!
The Stones died as a musical force when Mick Taylor, who brought sophistication, elegance and sheer class to their sound, left. No disrespect to Ronnie Wood, who added so much wonderfulness to Rod Stewart’s early, good, albums, but he’s never been anything but Keef’s Keef in the Stones. Just listen to Taylor’s elegance on this song.
Nobody is mentioning Bill Wyman. The best part of this musical masterpiece starts at 4’40″ when Bill Wyman and Mick Taylor fire up the jamsession. Wyman starts playing very confidently a great melody line, to which Taylor is responding in a very Bach-like manner. And here lies the trick : if your woofers don’t go deep enough, if your amplifier has a poor damping factor, you won’t hear a single note of the lower melody. Whenever I go to the hifi-shop for a new amplifier, CD-player or headphones, this part of music will be the final test. Even in HIFI-shops where they sell very expensive stuff, a lot of material is not able to render the full melody of this bass line.
Yeah, you got satin shoes Yeah, you got plastic boots Y’all got cocaine eyes Yeah, you got speed-freak jive Can’t you hear me knockin’ on your window Can’t you hear me knockin’ on your door Can’t you hear me knockin’ down your dirty street, yeah Help me baby, ain’t no stranger Can you help me baby, ain’t no stranger Help me baby, ain’t no stranger Can’t you hear me knockin’, ah, are you safe asleep? Can’t you hear me knockin’, yeah, down the gas light street, now Can’t you hear me knockin’, yeah, throw me down the keys Alright now Hear me ringing big bell tolls Hear me singing soft and low I’ve been begging on my knees I’ve been kickin’, help me please Hear me prowlin’ I’m gonna take you down Hear me growlin’ Yeah, I’ve got flatted feet now, now, now, now Hear me howlin’ And all, all around your street now Hear me knockin’ And all, all around your town
I had a good f***in’ crew workin’ for me, I’ll tell you that. I had Sal Fusco, a great second-story guy, Jack Hardy. He worked for a safe company before he did a six-year bit. And then there was Bernie Blue. This guy can bypass any alarm for me. It was like old times. And I opened up my own jewelry store too, the “Gold Rush” Sometimes I used to go along on a heist, just for the fun of it.
“Can’t You Hear Me Knocking” Yeah, you got satin shoes Yeah, you got plastic boots Y’all got cocaine eyes Yeah, you got speed-freak jive Can’t you hear me knockin’ on your window Can’t you hear me knockin’ on your door Can’t you hear me knockin’ down your dirty street, yeah Help me baby, ain’t no stranger Help me baby, ain’t no stranger Help me baby, ain’t no stranger Can’t you hear me knockin’, ahh, are you safe asleep? Can’t you hear me knockin’, yeah, down the gas light street, now Can’t you hear me knockin’, yeah, throw me down the keys Alright now Hear me ringing big bell tolls Hear me singing soft and low I’ve been begging on my knees I’ve been kickin’, help me please Hear me prowlin’ I’m gonna take you down Hear me growlin’ Yeah, I’ve got flatted feet now, now, now, now Hear me howlin’ And all, all around your street now Hear me knockin’ And all, all around your town
“So, once they pulled that shit… I started doin’ my own things nobody ever thought of doin’. To keep an eye on things, I brought in my kid brother Dominick and some desperados, and started knockin’ over high-rollers, casino bosses… bookmakers… anybody right here in town. I had a good fuckin’ crew goin’ for me, I’ll tell you that. I had Sal Fusco, a great second-story guy. Jack Hardy. He worked for a safe company before he did a six-year bit. And then there was Bernie Blue. This guy can bypass any alarm for me. It was like old times.”
I met Keef on a lark in Amsterdam in 06′. They were wrapping up a world tour. (Bigger Bang) A buddy was telling Keef about my drinking prowess and he wanted to meet me. So off to Europe I flew. I’ll never ever forget Keef off to one side by himself cranking out this riff to start the song. It’s pure genius! I get it in my head and have to hear it to scratch some primordial itch. Like now.
The jamming session after the singing wasnt meant to be. After they stopped singing – that was the end of the song – the guys put down their instruments and were about to walk off except for Mick Taylor who was still playing guitar. The guys thought they might as well join in and played along. Little did they know, the tape was still recording. So the CYHMK we hear on vinyl/cd is the original track. They guys didnt do another take as the jamming was unplanned and spontaneous and no way would they be able to replicate an exact version again.