How To Turn Down A Tattoo Artist?

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This article focuses on the four main reasons tattoo artists may refuse service, including legal requirements for turning down a tattoo. Some common reasons include offensive or inappropriate content, medical reasons, age restrictions, intoxication, and other legal issues. Tattoo artists are not obligated to serve customers, and bad service can lead to customer departure.

A deposit on a tattoo appointment is non-refundable, so it is possible to say no if the artist does not meet your expectations. Legally, tattoo artists have the right to refuse certain tattoo requests, especially if the design violates local laws and regulations. Examples of tattooing minors, offensive hate symbols, or copyrighted designs without permission are examples of situations where tattoo artists may refuse services.

To say no to a tattoo artist, both formally and informally, while maintaining a respectful tone, it is essential to report the issue and be honest with the artist. Tattoo artists cannot refuse service based on race, sex, or nationality. It is important to email the tattoo artist’s bio and provide them with the necessary information.

Declining a customer shows that you prioritize the quality of your work, professionalism, and dedication to your craft. Politeness, simple social skills, and an open mind can take someone very far, while not using them may lead to misunderstandings and dilemmas. By understanding the process and being respectful, tattoo artists can better serve their clients and maintain a positive relationship.

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How Do You Turn Down A Tattoo Client
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How Do You Turn Down A Tattoo Client?

When declining a tattoo request, it's essential to be honest yet kind, stating, "I’ve really enjoyed working with you, but moving forward, I don’t think we will be a good fit. I’d be happy to recommend you to another artist." This approach lightens the pressure for both parties. This article discusses four primary reasons tattoo artists might refuse service, including legal requirements. Tattoo artists must adhere to laws and ethical guidelines, which may vary by individual preferences.

Common reasons for declining include offensive or inappropriate content, which many artists refuse to tattoo, along with legal restrictions against tattooing minors or using hate symbols and copyrighted designs.

Clear communication is vital when informing clients about refusal. Articulating reasons transparently—sending a brief email is effective—ensures that the decision is understood. Avoid personalizing the refusal; it's about the situation rather than the individual. Additionally, maintaining professional boundaries is crucial, especially when friends request discounts or seek to learn tattooing. Balancing personal and professional relationships can complicate situations.

On the other hand, turning down clients can reflect professionalism, showing that you prioritize the quality of your work. Tattoo artists have the right to refuse requests if they conflict with their beliefs, personal comfort, or the quality of artistry they wish to deliver. As a tattoo artist, handling difficult clients is a chance to demonstrate professionalism. Clear communication and firm boundaries are crucial.

While being friendly and complimentary can help ease tough conversations, it's necessary to assert your boundaries respectfully. Expressing appreciation for their time while maintaining a respectful distance will foster a professional reputation. Ultimately, recognizing when to decline work supports both the artist's integrity and the quality of their craft.

Is It Rude To Not Tip A Tattoo Artist
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Is It Rude To Not Tip A Tattoo Artist?

Tipping your tattoo artist is considered polite, similar to tipping other service providers like waiters or hairdressers. While tipping is not mandatory, a common guideline suggests a tip of 15-20% of the total tattoo cost, which is a way to express appreciation for the artist's skill and time. The specific amount may depend on many factors, including the quality of the artist's work and individual client circumstances, as financial situations can vary greatly.

A pertinent question is whether it is rude not to tip after receiving tattoo work. Opinions are divided; some argue that it may not seem polite to withhold a tip, given that tipping is widely expected in the service industry. However, certain scenarios might justify not tipping, such as if the quality of work was unsatisfactory. It’s crucial to gauge the service experience before deciding against a tip, as under-tipping may send an unintended negative message and potentially affect future services.

When planning your tip, note that a general expectation is to give between 15-25% of the total tattoo cost. For instance, with a $250 tattoo, a tip would typically be between $37. 50 and $50. Cash is often preferred for tips, ensuring that the entire amount directly benefits the tattoo artist. Communication with the artist before and during the tattooing process can help avoid misunderstandings and enhance your overall experience.

Understanding the social norms surrounding tipping in tattooing can clarify whether it feels appropriate to tip. It’s seen as a way to support artists, who often depend on tips to supplement their income. As Sinatra mentions, "A tip is never expected. It is always graciously appreciated." Therefore, if you enjoyed the service and feel satisfied with the tattoo, tipping is a courteous way to acknowledge the artist’s hard work. However, many clients choose to reserve their tip until after healing, ensuring they appreciate the final result.

In general, maintaining a reputation as a decent tipper can aid in achieving positive interactions with tattoo artists, fostering a supportive environment for both parties. Ultimately, it’s about expressing gratitude for a job well done, while recognizing that opting not to tip could lead to a less favorable perception from the artist. In cases where the service was substandard, however, clients may justifiably forego tipping.

Should You Have To Do A Tattoo On Someone
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Should You Have To Do A Tattoo On Someone?

When considering a tattoo, it’s crucial to prioritize your comfort and safety. You should never feel obligated to tattoo someone who causes discomfort through sexual advances, harassment, poor hygiene, or threats. These are all valid reasons to refuse a client. Before making a decision about getting a tattoo, take your time to reflect on your motivation. If there's uncertainty or concern about potential regret, it’s advisable to wait rather than succumbing to external pressures. Remember, tattoos are permanent, with their appearance likely to fade over time; consider how you may feel about the ink on your skin in the future.

To ensure your decision aligns with your interests, evaluate the pros and cons. Adhering to proper tattoo etiquette can enhance your experience and make the process enjoyable for both you and the artist. Many artists prefer creating original tattoos from scratch rather than working on modifications of existing ones, as it allows greater creative freedom.

Approaching someone else’s tattoo should also be done respectfully and gently, starting with a sincere interest in their work. It’s essential to avoid making assumptions about the tattoo or the person wearing it. Throughout this process, always consider the permanence of the tattoo. Special care should be taken when contemplating visible tattoos, like those on the face, as they carry significant implications.

From selecting the right design and placement to choosing a reputable artist and shop, every step in this journey is important, along with adequate aftercare for your new tattoo. It's quite common for individuals to opt out of tattoos for personal, religious, or negative past experiences, all of which are entirely valid. Most artists typically have tattoos themselves, although it's rare to find one who doesn’t.

According to a Pew survey, a significant percentage of tattoo designs (69%) are created to honor someone or something meaningful. However, some may later regret their choices. Thus, understanding the tattooing process, the potential risks such as infections from breaking the skin, and ensuring that you have explicit permission when using someone’s art is critical.

Additionally, establish a good connection with your tattoo artist, as this collaborative process will result in a design that remains on your body forever. Communication with the artist should remain professional and focused on tattoo plans. Never attempt to tattoo yourself or have someone unqualified do so, as this could lead to serious health issues.

What Does It Mean To Refuse Service As A Tattoo Artist
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What Does It Mean To Refuse Service As A Tattoo Artist?

Refusing service as a tattoo artist signifies a decision to decline to work with a particular client. This refusal can stem from various reasons, such as artistic differences or personal discomfort with the client. However, tattoo artists are prohibited from denying service based on race, gender, nationality, or similar characteristics. Clients have the option to inquire about the reasons behind a refusal, especially if they are amenable to modifying their tattoo design or placement. Many respected artists will refuse to create tattoos that promote hate or violence, distinguishing professional ethics from customer demands.

The topic of whether tattoo artists have the authority to refuse service raises important considerations regarding their rights and responsibilities. Legally, tattoo artists can decline requests that violate local laws, including tattooing minors, or designs that involve hate symbols or copyrighted material. Client requests for tattoos featuring inappropriate or offensive content are frequently turned down. In fact, some artists have outlined specific reasons why they would refuse a commission.

Tattoo artists must establish clear expectations with clients, as misunderstandings about pricing or services offered can lead to refusals. Prices are typically non-negotiable, which can cause tension between artists and clients. Moreover, some artists may refuse to tattoo certain areas, such as palms, because they prioritize the quality of their work. Artists are also justified in refusing requests that could hinder their professional reputation or future opportunities.

Other grounds for refusal may include unrealistic design expectations or disrespect toward the artist's professional boundaries and aftercare. Consequently, tattoo artists retain the legal right to refuse service based on various factors, ensuring they remain true to their craft and personal standards. Ultimately, while clients may seek certain tattoos, the decision to accept or decline rests with the artist, who must balance their creative integrity with client satisfaction.

How To Reject A Client Politely
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How To Reject A Client Politely?

To effectively say no to a client, Bowab emphasizes the importance of kindness and understanding during communication. It's vital to acknowledge the client’s situation and needs, then clearly explain why fulfilling their request isn’t possible. The article details various examples to decline requests politely, such as stating, "I can’t take on more tasks right now," while avoiding vague responses. Staying focused on the current workload is crucial, as is providing a succinct explanation.

Ignoring inquiries from clients is portrayed negatively; all inquiries deserve a response, reflecting professionalism as a business owner. When declining a request, it's beneficial to share one’s reasoning and suggest alternative solutions, enhancing the refusal's context. Utilizing empathetic language can maintain relationships and enhance productivity, which is essential in navigating refusals at work.

Clear communication, acknowledging customer needs, and offering explanations are key to handling declines effectively. The article also gives guidance on writing empathetic rejection emails, including general tips and examples to streamline the process using AI assistance.

Not every client may be an ideal fit, making it uncomfortable to decline a project. Expressing gratitude for their interest can ease the rejection; thanking them before declining strengthens rapport. The article outlines a template to help decline requests without being impersonal, treating the decision as a business matter. Being direct yet polite is crucial—acknowledging workload limitations while ensuring the client understands that this impact prevents providing the expected value.

In conclusion, to navigate the delicate process of declining client requests, respond promptly, avoid over-explanation, offer referrals when possible, remain honest yet courteous, and uphold professional communication standards, whether it's through email, phone, or text.

What Is The Most Overused Tattoo
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What Is The Most Overused Tattoo?

Among the most frequently seen cliché tattoos, the Infinity Sign stands out, representing themes like rebirth and eternity. Other popular designs include the Chest Wings, Lower Back Butterfly, and a Heart on the Wrist, alongside tribal tattoos and dandelion birds. The phrase "Not All Those Who Wander Are Lost" and "Carpe Diem" are also commonly inked. A humorous anecdote mentions a tattoo artist who, tired of the repetitiveness of barcodes, began referencing silly products for his designs.

Tattoo artists have also been vocal about the most overused requests they receive, highlighting designs like little swallows, nautical stars, spiderwebs, anchors, and variations of girls with words on their sides, as well as angel wings. A dive into social media and artist insights revealed community opinions on the trendiest yet most clichéd tattoos, which range from infinity loops to mandalas. Among these, two standout designs include the shooting star or trail of stars behind the ear and nautical stars.

Buzzfeed polled professional tattoo artists about the tattoos they consider overdone, leading to a short list that includes the Deathly Hallows symbol from Harry Potter, which one artist noted he'd done approximately fifteen times. Additional designs deemed outdated include "Carpe Diem," Om Sign, anchors, and dreamcatchers. Area code tattoos, particularly in block letters or subtle placements, were criticized as well. Overall, the consensus among artists indicates certain tattoos—like the Deathly Hallows and frequently seen floral designs—have become overly familiar and less unique within the tattoo culture.

Is It Illegal To Get A Tattoo
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Is It Illegal To Get A Tattoo?

In the United States, it is illegal to tattoo individuals under the age of 18, those who are intoxicated, and to perform tattoos outside of licensed shops. Violating these regulations can result in hefty fines, potentially up to $1, 000, along with revocation of tattooing licenses, and in serious cases, a year of jail time. Each of the 50 states and the District of Columbia mandates that individuals receiving tattoos must be at least 18 years old, although most allow minors to get tattooed with parental consent. However, certain states entirely prohibit tattooing minors regardless of consent, except in medical situations.

Internationally, regulations also differ significantly. In Europe, some countries have no specific laws regarding tattoos, while others enforce age restrictions. Greece and Denmark impose additional rules on tattooing, and in the Middle East, tattoo bans are the strictest globally. In Iran, for instance, both displaying tattoos and getting inked have become sensitive issues.

In the UK, it is illegal to tattoo anyone under 18, even with parental consent. Medical tattoos are an exception. Legislation surrounding tattooing is not static, as it changes in response to evolving societal views, health considerations, and legal frameworks. In most US states, tattooing without a license falls under misdemeanor offenses.

The complexities of tattoo laws are compounded by the notion of personal choice versus legal restrictions. While the expression "my body, my choice" is often invoked, the law remains firm: minors cannot legally consent to tattoos. In Iowa, for instance, minors cannot get tattoos under any circumstances, including with parental permission, unless they are married. Similarly, Hawaii maintains strict laws against tattooing at a young age.

In summary, legal frameworks around tattooing focus primarily on age restrictions, licensing, and safety concerns, reflecting cultural attitudes and public health priorities.

How To Tell A Tattoo Artist You Don'T Like It
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How To Tell A Tattoo Artist You Don'T Like It?

When engaging with a tattoo artist, it's essential to recognize that their worth as an artist isn't diminished if their design doesn't resonate with you. It's perfectly acceptable to express that a design doesn't align with your vision. You can say things like "I don’t feel that this design is right for me." If aspects of the design are off, don't hesitate to communicate your specific concerns and preferences – it's part of a tattoo artist's job to accommodate client feedback. They may adjust the design on the spot or suggest a rebooking for further revisions. If you're still not satisfied, it's appropriate to politely inform them that the design won’t work for you.

If you are uncertain about the etiquette of expressing your discontent with part of a tattoo, communication is key. Discuss your feelings openly with your tattooist. For example, when getting an arm sleeve, articulate what aspects of the design deviate from your expectations. Utilize reference photos to illustrate your preferences clearly, particularly if you're unhappy with elements like a Phoenix tattoo’s representation.

Preventative measures can help avoid discontent with your tattoo designs. Firstly, vet your artist thoroughly – remember that "good" art is subjective, so assess if you genuinely like their portfolio. Before your appointment, spend time researching the tattoo style, design, and placement you desire. This groundwork fosters more productive conversations with your tattoo artist.

Should issues arise regarding design dissatisfaction during or after your session, consider the timing of your feedback. Provide specific critique so your artist understands what adjustments are necessary. It’s crucial to express dissatisfaction if you're not happy with the outcome, as tattoo art is a lifelong commitment.

If you wish to request a particular design you've seen online, it's vital to approach it carefully, considering the implications it has on the original creator. If you find yourself genuinely unhappy with a tattoo, explore options like cover-up tattoos, which talented artists can execute. Always strive for clear communication detailing what you dislike so that artists can make informed adjustments.

Ultimately, remember that a professional tattoo artist isn’t emotionally affected by your feelings towards their design; they see it as a part of the process. A straightforward approach helps ensure your tattoo experience is collaborative and fulfilling. Be candid, yet polite when presenting your opinions, and remember that a thriving relationship with your tattoo artist hinges on open dialogue and shared understanding.

Do Tattoo Artists Judge Your Body
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Do Tattoo Artists Judge Your Body?

Tattoos have evolved into a mainstream form of body art, shedding much of the stigma previously attached to them. Tattoo artists are accustomed to dealing with an array of bodily experiences, including blood, pain, and nudity, and they approach each client without judgment. While the general population, according to German research, may still perceive tattooed individuals as less beautiful than those without tattoos, younger people, tattoo artists, and those who appreciate body art tend to be more accepting, with certain exceptions.

Research highlights that judgments against tattooed individuals can vary, with many people expressing mixed feelings—while they might receive positive feedback regarding their body art, negative judgments from strangers are still common. This societal stigma persists despite the increasing popularity and acceptance of tattoos, largely due to the influence of celebrities and public figures showcasing body art. Tattoos serve as a form of personal expression rather than a reflection of one’s beauty or worth.

For individuals considering a tattoo, it’s important to prioritize personal feelings over societal judgment. The regret surrounding unconsidered tattoos can be significant, making it crucial to have doubts and reflect before committing. Tattoo artists’ experiences reveal that they generally do not judge clients based on their bodies; instead, they focus on their craft. They encounter a diversity of body types and are skilled in working with various skin conditions, such as stretch marks, which may affect the tattooing process.

Although tattoo acceptance has increased, those with visible tattoos often report feeling scrutinized in public, particularly women, who may experience harsher criticism. It is essential for potential clients to recognize that tattoos are a legitimate form of self-expression. Tattoo artists exist to offer their skills and creativity rather than to pass judgment on clients’ bodies or choices.

In conclusion, while societal judgment may still linger, the reality is that tattoo artists appreciate the art of tattooing and provide their services to a wide variety of clientele without bias, reinforcing the idea that having tattoos does not define a person's value or beauty.

How Much Should I Tip For A $500 Tattoo
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How Much Should I Tip For A $500 Tattoo?

Tipping for tattoos generally falls within the 15 to 20 percent range of the total cost. If you’re particularly pleased with the work or if the tattoo artist exceeded expectations, such as spending extra time or taking special requests, consider increasing the tip to 25 percent. There are online tattoo tip calculators that simplify this process; simply enter the tattoo's cost and your desired tip percentage to receive an appropriate tip amount.

For example, on an $800 tattoo, a tip between $120 to $200 is considered suitable. For a $200 tattoo, a $50 tip is generous. The standard tipping range applies irrespective of the tattoo's size or complexity; for smaller tattoos, tips usually range from $14 to $50, while for larger pieces like half sleeves, tips can vary from $80 to $125, and for full sleeves, anywhere from $160 and up might be acceptable.

Specifically, if you are paying $1, 000 for a tattoo, you might want to tip between $150 to $200. For a tattoo costing around $500, a good tip would fall between $75 and $125 to show appreciation without straining your budget. A $100 tattoo would typically warrant a $15 to $25 tip.

While 15 percent is often regarded as the norm, many patrons tip more for exceptional service or quality. Those who have a flat fee can plan their tip in advance, while others find calculating the tip challenging, especially after an appointment. An average enjoyable tattoo experience would typically yield tips between $40 and $100, ensuring that the artist is compensated appropriately for their time and skill.

As a loose guideline, for a $1, 000 tattoo, aim to tip around $200. For a mid-range $500 tattoo, tipping $100 is ideal. Ultimately, tips are a personal decision influenced by factors such as tattoo size, detail, and personal satisfaction. Providing a tip of at least $20 is generally appreciated to acknowledge the artist’s effort, reinforcing the importance of showing gratitude for the experience.


📹 Do I Ever Turn Down Tattoo Projects?

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42 comments

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  • This is good to know. I always thought it would be considered bad or wishy washy to come to a tattoo artist without a complete image. It never occurred to me, I have no idea why, that a tattoo artist would actually appreciate a bit of artistic freedom. I’m not a particularly creative person, it isn’t my strength, so I know that if I liked an artist work I would much rather they flesh out/create the tattoo, because I’m sure it would be so much more impressive than would I could come up with or copy from somewhere.

  • I watched this article way back when you first uploaded it and never forgot it. There’s an artist that I had my eyes on for years and really wanted to work with her but kept missing when her books would open. Long story short I finally caught the window for her opening. I submitted my request via email and poured all the advice you gave in this article and others into that request. I waited patiently and when she responded it was a go for her to take on my project. My first of three appointments is an entire year from now, which made me think I probably got one of the last spots she had for next year. I’m extremely happy!! Plus it gives me more than enough time to save for the piece and make sure I have a decent tip as well. I just want to thank you for the education and advice you give. I apply it to every body appointment I have. Be it tattoos or piercings.. it just helps me to be the best possible client.

  • I had my consultation yesterday for my full back tattoo. When I sent out my ideas I wasn’t certain it would get accepted but the artist not only loved the project but the blueprint I discovered that will serve as the pillar of my idea will look completely different than the sketch. Everything you mention in this article is pretty much what my artist said when we were in deep design discussion. I also told the artist that I want her to add her own creativity to the design as well because she has talent whereas I don’t.

  • As a huge Disney fan, I really appreciate you turning down one that you didn’t understand at first and felt it would insult your work. IMO the best Disney tattoos come from other Disney fans who can add other details to the tattoo because they know the movies and fandom, and not just a copy of an image.

  • This is a solid article. It’s great that artists know their boundaries. At the same time, customers should seek out the artists that can do the style of tattoo they are looking for. I have been wanting Polynesian for quite some time now, instead of going down to my local tattoo shop and just settling for some work be it good or bad, I waited a long time and sought out an artist who if you want to say specializes in Polynesian design work. I think artists have the right to turn down work. I would rather have an artist shoot my idea down than to have them do work they are not comfortable or great at doing.

  • Thorough coverage James. You really hit every reason I’ve had for turning down customers. This is definitely something I go through w/ my own Artwork. Anytime its a commission painting, drawing or some kind of graphic, logo, tee-shirt design, etc…… I’m finally branching out to tattooing, it’s something I’ve been wanting to do for so many years! Unfortunately I lived in Oklahoma (throughout my teenage years, until I was 23), one of the only states in the US where tattooing was illegal, up until right around, or right after I moved away (’03). Besides that, I’ve had severe health problems & b/c of a negligent Dr., everything got put on hold for several years! .. I know that I’ll have to do tons of work that’s not my forte. I’m not pumped on the idea, but I’ll have to build up my portfolio & it’ll only add to my knowledge & understanding. What age did you start? Have you made a article on the subject? If so, I’d enjoy perusal that for sure! I’m glad the “fake skin” (practice skin) is much better than that awful super thin shit! I grabbed some “Sheets” & a “Hand” as well (I’m guessing you’ve seen all this…). I noticed that several tattoo artists were & are actually using it (there are so hands w/ forearms, feet, breasts, framed “skin” & even skull last I checked) as a “canvas” that can be displayed, sold, whatever… Plus it’s not a bad thing for part of a 1st portfolio. Especially b/c you can see the work up-close. What are your thoughts on that? -Sorry for the lengthy comment.

  • JAMES! I am a new tattoo apprentice, learning as much as I can. I am loving your website, and find it super helpful. My mentor does not speak English very well, so I am also perusal as much tattoo information as possible. He is very old fashioned, and skeptical of some of the newer tattoo fads and styles. Can you please do a article on the “fads”- single needle, tiny tattoos, watercolor (last/age factor), line spreading with age, etc, etc. I myself love to draw modern, abstract, bright, illustrative and new school, but how do certain things last/fade? My mentor was talking about how some of the biggest business right now is cover ups of 90s fad tattoos, covering up kanji, tribal and big black shapes and lines. Can you please cover this? Also, you should check out Julien Solomita’s left forarm tattoos. I am in LOVE with this modern bright mix, but how would it fade?

  • As a newbie, could you do a article about how much to save up for a tattoo? Pricing seems to be a touchy subject and most artists are not willing to give a price outright, but it does make it hard to decide when to go for that tattoo and how much cash to have available! BTW, love your articles, great info!

  • Hi James! I’ve been considering getting a tattoo for a couple of years now. Recently I’m at the point where I’m starting to do some research, and stumbled across your website. I’ve been binge-watching your articles all afternoon! I like how you present the information, and you talk about so many different things concerning tattoos. I feel much more informed now, thanks to you! BTW, this particular article was very interesting to me. I definitely can understand why, as an artist, that a person would turn down a project. I totally get it! Why would an artist want to do a piece that he wasn’t interested in, and/or it wasn’t his specialty? It makes sense to me, so I would not be offended if a tattoo artist declined to do a particular piece of work for me.

  • I totally understand you. I was a nail artist and I liked doing intricate nail designs with 3D flowers, drawings, etc and now turn down simple stuffs like French manicures, cheeta stripes etc simply because it’s not enjoyable for me. It’s not something I like to do and I did these designs for 3 whole years! Just wondering what are your thoughts about blackwork? Would you reject doing a huge blackwork like going from the shoulders to the arms ?

  • As an animator and huge Disney lover, that Stitch comment killed me xD but I totally get your point! Like, even in the studio, I’m a character designer and I’m good at what I do, but don’t come at me with environment and lighting, because I’m not comfortable in it… it’ll take me 3 times as long and will not look as good in the end. Some people even asked me to design their tattoos just because “I’m an artist” and “I know how to draw pretty” lol oh and I used to do henna tattoos as a summer job in uni and let me tell ya, the amount of times guys came to me with fascist /nazi requests omg…

  • I think that’s why so many people stay loyal to one artist- I showed up this past Sat after having talked about what I wanted and showing some pictures a month or so ago. I sent my deposit and set appts and just showed up ready for whatever my artist created for me. Nothing at all like my pictures or what my mind was thinking but an amazing start to an awesome tattoo so I’m game!! Mine are just my artists creations- that’s what he does and does well so I let him do his job.

  • Wish I could have a teacher like you… you have an easy going personality. Some would call me a scratcher but I only tattoo myself… and with a decent tattoo machine. I also work full time as a medical equipment tech. So the thought of being a shop bitch for a year or more scares the shit out of me because of the whole paying the Bills thing. I dont know jack about the process in reality. I just know art is my life… and your articles definitely make me want to work full time on being a legitimate tattoo artist. Awesome website man!

  • Great article as always! I had a question to add to this. When you turn down a tattoo because of the style, do you recommend someone to go to? Maybe someone from your own shop. But even if some tattoo artist do so, I think it’s a bit our own research to do at some point. Maybe for people who can’t do their research that easily could rely on that 🙂

  • Man I love your article; well said. Today I spent 6 hours covering up a palm sized mushroom (that looked like it had been drawn on with a dried out sharpy and colored in with green crayon) on a butt, with a dragon(not my jam)…My stretching arm hurts (from all the booty streching) and my heart hurts (from the booty dragon). It was my friends mom and she had received 2 gift certificates for Christmas, but under normal circumstances it would have been a hard pass. Not because a booty dragon is a bad idea but because tattooing dragons on booty’s just isn’t for me. Its a bummer to spend a day on something and walk away feeling anything but pumped about it, and like you’d rather not add it to your portfolio in fear of attracting more booty dragons.

  • Is it too much to ask for too much? For example, I’ve been wanting to get a sleeve around my forearm to cover my scars from breaking my wrist back in the days including like 7 different elements. Will the Tattoo Artist not like it if i ask for feathers, an elephant on one side, mandela and a flower on the other, a bunch of inverted spots inbetween to make it stand out?

  • Thanks for your insight, James! perusal this article is good timing for me, haha. Although not a tattoo, I’m finishing up a commission (black pen illustration) that I am no longer enjoying because of the drawing style changes that the customer wanted all along (“make everything more cartoony”), despite telling me in the beginning that they wanted it in my style. I spent a lot of time reworking the concept and composition, and I’m excited to just get this shit over with lol. #LessonsLearned

  • Helpful article, thank you! I got turned down today at a consult because I wanted barnacles and the artist thought they wouldn’t make for a good tattoo subject. Bummed because he’s very talented with a style I thought would lend great to barnacles, but in the end I’d rather find a tatooer who is stoked to give a try. While I trust his opinion I hope there’s someone out there who will disagree lol

  • Planning my first tattoo and your articles are super helpful. Thank you so much! For consultations, do you have any particular feelings about customers coming in with multiple tattoo ideas to choose from (different tattoos on different areas of the body)? I have a few different tattoo ideas in mind and I want all of them eventually, so I’d be ok getting any one of them as my first. As an artist, would you like having multiple ideas/potential projects to choose from, or would you feel like the customer is too wishy-washy without one set idea going in?

  • I’ve been a tattoo artist for 10 years and while I really like doing custom work and have a unique style I love working with I still often get asked to do something that’s quite strict and really out of my “comfort zone” as in, something I really feel bored and uninspired doing. I often manage to talk with the customers to make compromises but I find it super hard to totally turn down anyone since most of my customer base revolves around my social circles (friends, friends of friends, co-workers of friends, relatives of friends, relatives, friends of relatives, etc etc). People don’t take rejection well no matter how you phrase it and if it’s someone you mingle with outside of your business it can kinda start hurting your social relationships and can eventually lead to where people don’t like you anymore because you’ve “..become a stuck up cunt who won’t even tattoo his friends anymore. I wanted him to do this tribal sleeve on me and he just fucking told me no. Who does he think he is?” etc. Would be so much easier working in a city where no one knows you and your customerbase comprises of total strangers. That way you could keep business- and social relationships totally seperate from eachother. The reason why it bothers me is because I’ve noticed over the years it has really started taking a toll on me, doing alot of tattoos I really “dislike” doing, that makes me feel like it’s a chore that’s expected of me and not something that I inspire to do out of my own free will. It wouldn’t be a thing with any “normal” kind of job atleast not as much but when you’re talking about doing art, where inspiration is the key driving factor.

  • Very interesting, I can tell you are a thoughtful creative person and also devastatingly handsome of course! You view it the same way I do my photography. I only do my style and I’ve been published enough times that is all I offer. Not family pictures or senior pictures, not weddings or events. Strictly conceptual surreal imagery, nothing else. Maybe it comes off as snobby because I’ve had people react the same way you described but it is what it is. My work, my time, I don’t actually need to make money from it, it’s a different perspective.

  • Hey James love the vids! You think you can discuss what makes a tattoo last? A lot of people in the industry argue about whether realism tattoos are going to stand the test of time. Do you have anyone that has come back after 10years+ with a realistic portrait that still looks fantastic? I have a few of them and worry about the longevity.

  • James Withee Thanks man and yes I enjoyed that shit. But I must admit I learned it from my own tattoo experiences. You are right about the pricing methods too. Thanks for uploading your article because people do need that information. Keep up the good work James! You might want to mention in your next article. How addicting tattoo’s can be. Especially knowing that large/larger tattoo’s can be really expensive. I have 6 tattoo’s of my own and want another one. But I have to save some money to get my 7th. one. Oh…. the anticipation is killin’ me! LOL! ; ^ D Have a great day!

  • Perfect article for my situation, recently I started looking for someone to tackle my 3/4 sleeve iv been planning for a while, a color realism pheonix. In the summer i found a list of artists and two of them stood out to me, one of them loved my idea and wanted to get started but the issue with him is i didnt feel that “color realism” vibe as well as i did with the other artist whos work perfectly fits my criteria so much that i asked if he can do the pheonix sleeve. His response was “sorry im not doing pheonix’s at this time.” What should i do? inquire him again to tackle on my project? or go with the guy who loves my project but his portfolio didn’t 100% have the i want this artist vibe?

  • I believe any artist, be it digital, mixed media, classical, tattoo, gets the right to say no. No one owns you or your talent, and you are not obligated to do anything for anyone. I am not sure why people think you are owe them simply because they want to hire you. Any hoo. Can you discuss tattooing imperfect skin as well? Not just scarred skin like several other requests, but what to expect if you have had a big weight loss, or it’s your first tattoo and you are older, if you have sensitive skin, that kind of thing. Anything you have had experience with. This is so informative. I feel like you should make a compilation article and sell it to shops and they should make people watch it before they get tatted. Like those looped articles they would play in doctor’s offices years ago telling you how to lose weight and eat right.

  • I’m a new sub and new to tattooing. I’m looking to get my first one, but want it to be perfect. Your work is amazing so I would trust your recommendation. Do you know of any artists in Washington State that would reccommend? I know this is a shot in the dark, but figured fuck it I’ll ask anyway. I just want my first one to be perfect without going to consult at every shop in the state. I would try to book you, but Arizona is too far away. Thanks for any advice you can give. Keep up the great work.

  • Hi james! I really like your articles, it is an amazing search of information. My question for you is: I have a very scarred skin because of the acne (which I sadly have all over m body). Some of them are fresh (darker) and some are faded. I know it is possible to cover them but my concern is how long do I have to wait to get them cover? To give you and Idea, they look plain and big as freekles, but darker

  • I really dont like appointment tattoo shops. Usually when I’d get my paycheck I’m down at the parlor hitting up my guy, showing him what I want done. And he was always cool with me. My audioslave logo was my last that actually angered my one tattoo guy cause he wasn’t planning on doing any tattoos that light, he was gonna do something on someone else but thankfully the guy was cool enough to tell him to do mine cause I had the money so when he did my tat he was mad at first but at least he got into it cause he loves his detail.

  • I went through a phase. I repeat I went through a phase. Did I mention I went through a phase, but at one time I wanted to get a Nazi soldier saluting a flag with a Swastikas’ over my heart. Not only did every tattoo artist in my city turn down the offer, but many cussed me out and one even spit at feet as he told me to get out.

  • I am going to be contacting an artist in a couple weeks to hopefully get a consultation and I there’s some aspects that I am kind of worrying about being turned down. It will be my first time finding an artist before just walking into a shop and the artist that I want to go to is outside my city, should I email them directly or their shop or bite the bullet and go in person and hope I don’t get turned down? If I email them should I go right into specifics or should I go something along the lines of “Hey I’ve seen a bunch of your work and really like it, are you taking any consultations I would like to get a X(style) work done?”

  • I don’t tattoo script mixed with images, it might be my personal pet peeve, but I just don’t like to “label” tattoos, like if we are coming up with an image or like a scene representing idk music lyrics then you don’t really need the lyrics in script underneath. Or like if you’re getting a portrait of your grandma, you don’t really need to add like her date of birth or death. It just makes the tattoo generally hard to read or just cluttered. I also don’t tattoo anything that may considered culturally offensive.

  • could you comment on the protocol for tipping your artist? is there a protocol? im a bit of a tattoo newbie and recently got a piece that i LOVED and told her so. but i didn’t tip.. it didn’t even cross my mind. then i came across a post online somewhere that mentions tipping, and i felt like an asshole. i know i tip my hairdresser and my nail lady, but the tattoo artist? is it expected? do most people do it? thanks 🙂

  • I want an odin tattoo (God from nordic mythology) where he starts on top of my arm and it transitions into the sky, then into a landscape with trees and a river, with some crows and lightning thrown into the tattoo. (not sure if I want color or black and grey) Wish me luck explaining that to an artist. Obviously I don’t have the skill to even begin to imagine how all that will mesh together. So I’m kinda hoping the artist has plans. And hoping it’s not super complex and get rejected.

  • Hey, i recently hit up a artist (wont mention his name here) i am looking for a full sleeve black and grey style tattoo. The price for the tattoo is around 7000 dollar. I feel like this is on the higer side of prices for a full sleeve. Do you think this is a reasonable price or could i get something great for a bit less. (Really like the artists work but i would have to save up for multiple years to be able to afford it since im still studying)

  • 1st time I asked for a tattoo I wanted it on my neck and they said no. So I said so how about the back of my hand and they said no. Apparently because I had no tattoos it had to be in a place I can hide it because it would change my life and how others treated me. I walked out with a wrist tattoo… 😂

  • So I have a question. I totally get the idea that you want to pick and choose your canvas. You’re an artist. If you’re not into what the client wants, you politely (as possible) refer them elsewhere/to other tattoo artists. But what if a client comes in and says, “James, I don’t know what tattoo I want, but I just know I want you to be the artist who inks me. Treat my skin as a blank canvas and create whatever you want.” Are you cool with this, because shouldn’t tattoos have some personal significance/meaning?

  • Hey james! Do you think you can do a article just about line work? Different types of needles, how stretching, hand speed, depth effects cleaner line work ect. I’m a tattoo apprentice and I’m really trying to get into bigger bolder lines, but I’m struggling to get the fat crispy lines like I can with a 7rl when let’s say doing it with an 11. Do I increase voltage? Decrease speed? Combination of the two? Line with a RS and go back over with a liner for the edges? If you know any DVDS that teach this, please point me in the right direction! Thanks!

  • I think this is a bad way of thinking. I just started a couple years back & I definitely want to specialize in full color & black & grey realism. It’s where my strengths are for sure and I love doing it the most. But I’m not doing tattoos %100 for me. I’m doing them for the person who has to wear it forever. All I want is to get paid well for good work that I’m happy with walking out the door and more importantly my clients are thrilled with. Half hour sitting or 5 hr sitting. I believe if you ever get so full of yourself where you can’t at least Pencil in one day a week for little tiny bangers that people love to get then you’re tattooing for the wrong reasons. It means just as much to me when I get a hug from a first timer or someone with lesser means or that just-of-age teen who comes in with his or her mom ecstatic about getting a tattoo as I do the people who want shit that’s really gonna grow me as an artist & fill my portfolio with awesome stuff. It’s not all about me Having happy, repeat clients who have an amazing experience with me as well as a nice tattoo is my number 1 goal. You don’t know if those people have tattoo collecting relatives who get to hear how well their niece or nephew was treatedat the dinner table or back yard party & come see you for their next big tattoo. & if I get to a point where I’m booked a year in advance making top dollar in my city, in the vast huge world of madly skilled artists who are way better than me or you or the next guy, I’ll still leave a day per week open to 10 $100 tattoos & never think so highly of myself that I’m too good to do small tattoos.

  • Three-part question here: What is your policy on hate tattoos (swastikas or white power/black power fists for example?) (I know everything from the OK symbol to Pepe is considered a hate symbol these days, but I’m talking about actually racist/bigoted symbols here.) I can understand both sides- on one hand it is their freedom of expression, the understandable stigma they will get for that tattoo is theirs to deal with, and if they pay you well enough ultimately it’s just another tattoo. On the other hand, if someone figures out you did it that’s a big harm to your reputation, and you don’t want to be implicitly condoning someone’s hateful ideology. I know you, like many tattoo artists, probably don’t do them and that might be for the best, but I was interested in knowing your opinion. Also, what is your policy on tattooing on… certain areas of the body? Are there any that you outright refuse to do? (I was thinking particularly most artists won’t want to tattoo people’s assholes and probably not their junk for cleanliness and comfortability reasons, but I’m sure there are others like the armpit that would be particularly difficult/wouldn’t look good to do.) Finally, what is your policy in tattooing over scar tissue? I’m personally interested in this because I’m thinking of getting some of my scars tattooed over in the future. I’ve seen great pictures where you can’t see the scars at all and they are either hidden or incorporated into the the design, and I’ve seen some really shitty ones where you can clearly see the scar even still.

  • If I do end up becoming a tattoo artist, this would be my “I’m not tattooing you” list: -nothing racist, which is obvious but youd be suprised at the amount of confederate flag tattoos I’ve seen -nothing against religion, I’m not religious myself, but I don’t want to promote any hate. It’s not cool, and I’m mostly talking about swastikas. -im not tattooing a teenager. You have to be 18 with either a valid ID or your birth certificate and a ID card with your face (like a student ID) -no names unless it’s a memorial piece or a pets name or a child’s name -no portraits except for the same exceptions -if you’re being a dick, you can just go to a different artist or leave. I dont care. -im not copying other peoples art, I’m called an artist for a reason I will draw up you want, but I’m not going to copy other peoples hard work. I know I’ll think of more later, these are just off the top of my head. I really want to become an artist, so I’m going to ask about apprenticeships next time I go in to finish my tattoo.

  • Never in my life have I heard of such a thing. Not being good or comfortable doing a certain style…yes. Just arrogant fucking “it’s boring” ….hell no wtf are you serious? What about people that are just getting their first tattoo? Do you really expect everyone to get some elaborate ass giant mural on their back? How about if you want MORE customers…you be more flexible.

  • Do you know mma? Can you stop sounding like a G it’s not you, Thanks. Be a proper gentlemen it would suite u better unless your 23 & 2 it makes sense otherwise your pompous demeanor is easily perceived as pretentiously contrived many blessings to from Above old sport in the name of King Yehshua Hamashiach stay Humbled your welcome

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